1999. Charcoal and pastel on napkin. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Charcoal, pencil, and pastel on business reply mail. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Charcoal, pencil, and pen on motion-sickness bag. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Charcoal on pillow cover. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Charcoal and pen on tissue. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Charcoal and pastel on business reply mail. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Charcoal, pencil, and pastel on "Important Phone Numbers" cards. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Felt-tip pen on in-flight magazine crossword puzzle. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Charcoal, pencil, and pastel on business reply mail. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Earphone bag and in-flight magazine image. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Pen and pencil on in-flight magazine image and safety instruction card. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Pencil on in-flight dinner menu. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Hard charcoal, pencil, and pastel on in-flight magazine cover. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1999. Hard charcoal and oil-based marker on dinner tray paper. Part of a series of artworks made with materials found on the plane while in flight from Osaka, Japan to Dayton, Ohio, USA.

1992. Oil on canvas.

Oil on canvas.

2021-2022. Video. Color. A series of 24 videos of approximately 3 minutes each. Exhibited at Echigo-Tsumari Art Triennale 2022.

2022. 100 one-yen coins, 100 digital photographs, certificates of authenticity, emails, video, various documentation in a box. Dimensions variable.

2022. Lithograph, oil-based marker, and acrylic on cotton paper (Arches).

2021. Watercolor pencil and oil-based marker on cotton paper (Arches).

2022. Oil-based marker on Japanese calligraphy paper.

2022. Oil-based marker on Japanese calligraphy paper.

2022. Oil-based marker on Japanese calligraphy paper. Exhibited at Echigo-Tsumari Art Triennale 2022.

2022. Oil-based marker on Japanese calligraphy paper.

2022. Oil-based marker on Japanese calligraphy paper. Exhibited at Echigo-Tsumari Art Triennale 2022.

2022. Oil-based marker on Japanese calligraphy paper. Exhibited at Echigo-Tsumari Art Triennale 2022.

2022. Oil-based marker on Japanese calligraphy paper. Exhibited at Echigo-Tsumari Art Triennale 2022.

2022. Oil-based marker on Japanese calligraphy paper. Exhibited at Echigo-Tsumari Art Triennale 2022.

2022. Oil-based marker on Japanese calligraphy paper. Exhibited at Echigo-Tsumari Art Triennale 2022.

2023. Video. Color. 6 minutes. Single shots of two iconic buildings (National Academic Theatre of Opera and Ballet of Mongolia and the Ard Kino Theatre) are cut into nine segments and reassembled in the frame showing slightly different moments in time simultaneously in the same shot. The instability of these images highlights the precarity of these historical buildings, which were slated for demolition causing a public outcry in 2019 and again in 2023 (demolition plans for the Opera and Ballet Theatre were canceled in 2019 and the Ard Kino Theatre, an important site in Mongolian cinema history, was torn down shortly after this film was made). In this sense, we can understand the concept of montage as a dialectic between the forces that shape remembering and forgetting in a society. These sequences are juxtaposed with images of contemporary Ulaanbaatar in 2022, including a shot of the National Archives of Mongolia that houses the country’s film and photography archives. This film was produced during a participatory research trip on the topics of Mongolian contemporary art practices and Mongolian cinema history. The music “Song of the Land” was composed by Can Tamura.

2015. Pencil, oil-based marker, and watercolor on cotton paper (Arches).