Born in Dover, Delaware, USA in 1970.
Lives and works in Kanazawa, Japan.
Can Tamura is an artist, filmmaker, and audiovisual anthropologist whose artwork explores the relationships between the contemporary art system, money, and power; digital data production as embodied practice; sensory perception; and visual/material culture in Japan and Mongolia. Current work in progress incorporates the use of digital video in the context of ritual in Noto Peninsula of Japan and 16mm black and white film in sensory-ethnographic engagement with urban development and memory in Ulaanbaatar, Mongolia.
Education
1988-1993 B.A. in Communications at Antioch College. Yellow Springs, Ohio, USA.
2016-2019 currently a candidate for M.A. in Visual Anthropology, Media and Documentary Practices at the University of Münster, Germany. Thesis title: “Kiriko Matsuri of Noto, Japan: The Outsider’s Body As a Resource for Maintaining Local Rituals” supervised by Christopher Wright.
Artist Residencies
2002: Ulaanbaatar, Mongolia, March 1 to 31, with the cooperation of the Contemporary Art Center (Кон Арт Тѳв) and the Mongolian Theatre Museum in the Palace of Culture.
Film screenings and presentations
2018:
Shoveling Ishikawa, film screening and lecture in connection with im/pulse: Vincent Moon, contact Gonzo, and the Anthro-film Laboratory, Kyoto City University of Art Gallery @KCUA, Kyoto, June 20, 2018.
Natural Disaster Relief in Joso, Japan: Observational Film Documentation of Volunteers in Post-Flood Clean-Up, film presentation at Displacements: The 2018 Biennial Meeting of the Society for Cultural Anthropology, April 19, 2018.
Selected Solo Art Exhibitions
2017:
The Supper Gaze, Gallery Muku, Kanazawa, October 13 to 18, 2017.
2016:
Electric Yen Zone, Gallery Muku, Kanazawa, June 3 to 8, 2016.
2015:
In Flight Art/Landing, Cafe Foodelica, Kyoto, October 9 to 25, 2015.
Ninjin Jyanai, Gallery Muku, Kanazawa, February 6 to 11, 2015.
2014:
Ninjin Jyanai, Cafe Foodelica, Kyoto, February 14 to March 16, 2014.
2013:
Zen Art Machine, Jam Sake Bar, Kyoto, July 6 to August 31, 2013.
2012:
Ninjin Jyanai, Jam Sake Bar, Kyoto, August 19 to November 10, 2012.
2002:
Nostalgia For Nationalist Squid and Other Tales, Mongolian Theater Museum, Ulaanbaatar, Mongolia, March, 2002.
Selected Group Art Exhibitions
2013:
Fotografika 6: Emotion, SoHo Art Gallery, Osaka, September 10 to 15, 2013.
White Heat, Kanagawa Kenmin Hall Gallery Yokohama, April 1999 (with Wanted Artists Group).