Can Tamura is an artist, filmmaker, and audiovisual anthropologist. He earned his BA in film at Antioch College (USA) and MA in Visual Anthropology, Media and Documentary Practices at the University of Münster (Germany). Working primarily in Japan, Turkey, and Mongolia, he makes experimental documentary films that explore the intersection between ethnographic film and art. Paintings and drawings are often hyperrealist depictions or sketches on appropriated materials. Mediums include 16mm film, analog and digital video, analog and digital photography, oil and acrylic paints, sound, and text.
Group Exhibition: (Forthcoming) Oku-Noto Triennale 2020, Suzu, Japan, September 5 to October 25, 2020 (postponed until 2021).
2020: Film Screening: Okinami at Anthro-Film Laboratory, Japan, June 20, 2020 (held online).
Panel co-organizer and presenter: Distributed Multimodalities: Ethnographic Experiments in Memory and Performance, panel of Distribute 2020: A Biennial Conference of the SCA and SVA, May 7 to 9, 2020 (held online).
Publication: (Forthcoming) “The Ghost Scrolls of Manshu-in and Tokugen-in: A Shutter-Stopping Tale of Visual Culture, Photo Curses, and Recontextualization” in Visual Anthropology Review.
Film Screening: (Forthcoming) Okinami, at 16th EASA (European Association of Social Anthropologists) Biennial Conference, Lisbon, Portugal, July 21 to 24, 2020 (to be held online).
Residency: (Forthcoming) Ulaanbaatar, Mongolia, June 23 to July 10 (postponed until 2021).
Film Screening: Okinami, at Cinema & Kurbelkiste Münster, Münster, Germany, January 29, 2020.
Film Screening: Okinami at Okinami Shukaisho, Anamizu, Japan, August 4, 2019.
Film Screening: With MURAKAMI Satoshi, Living Migration Busan – Kanazawa, IUAES (International Union of Anthropological and Ethnological Sciences) 2019 Inter-Congress “World Solidarities,” Poznan, Poland, August 27 to 31, 2019.
Film Screening: Altering Home, documentary film installation, 21st Century Musuem of Contemprary Art, Kanazawa, Japan, September 15 to November 4, 2018
Film Screening: Shoveling Ishikawa, screening and presentation in connection with im/pulse: Vincent Moon, contact Gonzo, and the Anthro-film Laboratory, Kyoto City University of Art Gallery @KCUA, Kyoto, June 20, 2018. 日本語
Film Screening: Natural Disaster Relief in Joso, Japan: Observational Film Documentation of Volunteers in Post-Flood Clean-Up, presentation at Displacements: The 2018 Biennial Meeting of the Society for Cultural Anthropology, April 19, 2018.
Solo Exhibition: The Supper Gaze, Gallery Muku, Kanazawa, October 13 to 18, 2017.
Solo Exhibition: Electric Yen Zone, Gallery Muku, Kanazawa, June 3 to 8, 2016.
Solo Exhibition: In Flight Art/Landing, Cafe Foodelica, Kyoto, October 9 to 25, 2015.
Solo Exhibition: Ninjin Jyanai, Gallery Muku, Kanazawa, February 6 to 11, 2015.
Publication: Smashed in San Francisco Museum of Modern Art official Tumblr, September 19, 2014.
Group Exhibition: HIBIKU 響, KG+ Kyotographie, Cafe Foodelica, Kyoto, April 19 to May 11, 2014.
Solo Exhibition: Ninjin Jyanai, Cafe Foodelica, Kyoto, February 14 to March 16, 2014.
Publication: Cone in San Francisco Museum of Modern Art official Tumblr, January 10, 2014.
Group Exhibition: Fotografika 6: Emotion, SoHo Art Gallery, Osaka, September 10 to 15, 2013.
Solo Exhibition: Zen Art Machine, Jam Sake Bar, Kyoto, July 6 to August 31, 2013.
Group Exhibition: Transnational Art 2013, Enokojima Art, Culture and Creative Center, Osaka, Japan, January 29 to February 3, 2013.
Solo Exhibition: Jam Sake Bar, Kyoto, August 19 to November 10, 2012.
Solo Exhibition: Nostalgia For Nationalist Squid and Other Tales, Mongolian Theater Museum, Ulaanbaatar, Mongolia, March, 2002.
Residency: Ulaanbaatar, Mongolia, March 1 to 31, with the cooperation of the Contemporary Art Center (Кон Арт Тѳв) and the Mongolian Theatre Museum in the Palace of Culture.
Publication: Kisetsuga, street-photography zine. 6 monthly issues from March to August, 2000.
Group Exhibition: White Heat, Kanagawa Kenmin Hall Gallery Yokohama, April 1999 (with Wanted Artists Group).